Reality is a Game

Game thinking from Adam Clare

Indie Game Budget Postmortem by Bent Spoon

Bent Spoon Games has put up a postmortem budget post on their most recent game Girl With a Heart of. It’s always nice when developers open up their numerical experiences because it gives people entering the industry a good framework with how to move forward.

I’d love to see more detail in how the PR was spent, but for assets and everything else the breakdown is rather clear.

For example, for art I spent: $8,080 on characters, $4,485 on backgrounds, $1,705 on portraits. Outside of art: $1500 was spent on PR, $775 on music, and $600 on dialog editing. Ideally, you can come up with these rough breakdowns before you start producing any assets. And once you do start paying for assets, be sure to keep track to make sure you are not spending beyond your means. Here is a quick calculation I did to make sure I was staying within budget:

Budget left: $17,000

Primary characters’ designs and skeletons: $90 * 11 = $900

Primary characters’ animation: $10perFrame * 12fps * (9chars * 5anims) = $5,400

Portraits: 10chars * ($70 + $40 * 3) = $1900

Secondary characters’ designs and skeletons: 14 * $40 = $560

Secondary characters’ animations: $7perFrame * 12fps * (14chars * 1anims) = $1,176

Creature design and skeleton: $90 * 4 = $360

Creature animations: $10perFrame * 12fps * (4chars * 5anims) = $2,400

Backgrounds: $85 * 48 = $4,080

Total: $16,776

Read the full post-mortem.

Working in the USA may Require a Boat

Blueseed is a company that is looking to help foreign workers work in the USA. The American immigration system is broken and people who do want to work in the USA simply can’t essentially because of a backwards perspective on immigration.

Blueseed is looking to get around this by providing a boat offshore in international waters close to Silicon Valley that will ferry workers back and forth to meet clients on land. Sadly, it’s not as crazy as it sounds.

This is not the first such attempt to work around America’s broken immigration system. Many high-tech companies have established oversees R&D units to gain access to foreign talent. The Oscar winning director Peter Jackson moved his entire film production infrastructure to Wellington, New Zealand in part because of his ease in attracting global talent. Several years ago, Microsoft established a major innovation center outside Vancouver to act as a portal for global scientific and technical talent, a move which my Martin Prosperity Institute colleagues Kathrine Richardson, Kevin Stolarick and I studied in depth in a 2009 paper.

Read about the floating city at the Atlantic Cities.

That all being said, I know many people who would like to work in the USA for American companies but can’t stand the politics in the country. By politics this includes immigration laws, lack of health care, little to no vacation time, etc.

Page 226 of 264

Powered by WordPress & Theme by Anders Norén